Tuesday, November 29, 2011

How to Move a Piano (Part One)

!±8± How to Move a Piano (Part One)

Any good tradesman knows that he will indeed end up blaming his tools if he does not have the correct equipment. This is the place to start, but also the place to end for many people, since the cost of obtaining the right tools will outweigh the cost of hiring a professional mover for 'one off' moves.

1) A piano trolley with good sized wheels. Often professionals use pneumatic wheels which cope with uneven surfaces better. Furniture skates designed for indoor use can be useless, even disastrous for outside use, since their small wheels catch on and exaggerate any deformity on the ground. For example, they might sink into a gravel drive, hit a raised pavement slab, and most likely, make a mountain out of the smallest step.

2) Piano transit cover: Its main use is for storing a piano on a van to prevent other items damaging it. When actually manoeuvring a piano, heavy quilting can be a hindrance, since grip and vision may be impaired. However, a cover is important if you are moving a piano through a narrow passage between outside brick walls. This is because a small deformity in the path can result in significant movement at the top of the piano (which is further exaggerated by small unsuitable wheels on your trolley).

3) Boards, ramps, blocks and chocks for steps. These are items acquired over time, by begging and borrowing and raiding builder's skips, until you have a wide choice to suit any obstacle. If you are moving a piano between houses, it will be a rare occasion when there are no steps at either end, and strong boards can make light work of these.

The use of boards is a subject on its own; but briefly, chocks (smaller pieces of wood)

Should be placed underneath the middle of your board to prevent excessive bending, and used to prevent your board lying on vulnerable doorway structures. Modern sliding doors often have aluminium or plastic base grooves. These can be damaged by the weight of a piano; chocks or blocks together with boards should therefore be placed to avoid contact if you are not confident you can tilt the wheels over them.

4) Blankets, cardboard and plastic sheet: These are used for wrapping panels, protecting floors and manoeuvring pianos. There are three pieces of the piano you should remove and wrap in blankets: The desk (the panel where the music sits), the key cover, and the bottom panel. Although this may not always be necessary, there is a good reason to do it. If your piano is old you cannot necessarily trust the dowels and fixings to be either present or in good order. The desk and bottom panel may fall off at the slightest movement. if nothing else, you will in the process of removing them, inspect their fixings. In more testing moving operations which involve turning the piano on its side, these three pieces must be removed.

Smooth, heavy duty, clear plastic sheet can be folded to double or quadruple its thickness. It is slippery and protective, and can facilitate controlled movement.

Old cardboard can be used for protecting floors, and especially for protecting overhanging piano lids when the piano needs to be turned and dragged through and round a doorway.

5) Mover's Ties and heavy duty ratchet straps: Take care to exert only minimum pressure with the ratchet. It is the thickness and strength of the strap which is important so you can hold it well and trust it. Ratchet straps are important for the inexpert mover because you can trust their tension. The danger is that a heavy hand could damage the piano case. The advice is to ratchet up with one finger, and like the belt on your pants, you have enough tension when you can still slip a finger or two between the strap and the piano. NEVER use a strap on a piano without a blanket between it and the piano.

Conversely, insufficient tension will allow movement which could become exaggerated. The piano could ultimately work loose of its securings.

6) Screw drivers, pliers, and a soft faced mallet. Very often no tools at all will be needed for moving upright pianos. Grand pianos will always require some tools, to remove the legs, lyre, lid and lid hinges (in the USA they tend to use a flat skid board which does not require the lid to be removed. In Europe a shoe is used which does).

There are many situations in which manoeuvring an upright piano around corners requires the removal of the casters. Actually casters are another big subject: They are often seized, and should only be used for rolling a piano the last half inch back against a wall, should be placed on caster cups to avoid damage to the floor, and should never be used in the relocation of a piano.

7) Piano shoes and skids. These tools are a serious financial commitment. Their purpose is to provide a sacrificial surface against which to manoeuvre the piano; either onto a trolley, or up steps or along a board. As with all tools, cheap versions are available and should be avoided, since a tool which will betray you is a liability of immeasurable cost.


How to Move a Piano (Part One)

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Friday, November 25, 2011

Yamaha YDP141 Digital Piano with Bench

!±8±Yamaha YDP141 Digital Piano with Bench

Brand : Yamaha
Rate :
Price : $1,149.99
Post Date : Nov 25, 2011 23:53:27
Usually ships in 24 hours



Perfect for beginning students and experienced players alike, the ARIUS / YDP series provides true piano sound and feel. The Graded Hammer Standard keyboard make it a true joy to play, both in practice and in performance. The 3-level AWM Dynamic Stereo Sampling Voices deliver remarkably authentic sound. Moreover, the damper pedal includes a half-damper effect, giving you nuanced expressive control over the sustained sound. All at an affordable price.

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Tuesday, November 22, 2011

Interior Decorating - How to Choose Furniture For Small Spaces

!±8± Interior Decorating - How to Choose Furniture For Small Spaces

True or false: "I have a small room, so I need small furniture."
Answer: False.

I call this "dollhouse syndrome." The truth is that, while you do want your furniture to be PROPORTIONATE, it does not need to be small, per se. You see, your brain plays interesting tricks on you when it comes to proportions. If you have a small room, and you fill it with small pieces, your brain says, "Look at these little things... I must be in a very small space." On the contrary, when you put one or two larger pieces in a small room, now your brain says, "Well! Look at the large pieces we have here! I must be in a large space!"

Bear in mind that the larger your pieces are, the fewer you will have. No matter what ACTUAL size the room is, you need to maintain free walk ways, and enough breathing room that your furnishings are not on top of each other.

Living rooms are a great example of this principle. Most homes today have a "formal" living room at the front of the house, and the family room towards the back. (Occasionally I see these two rooms joined together... an unfortunate architectural choice I will never understand, but I digress.) More often than not, I see the poor, alienated formal living room filled with a tiny Chippendale sofa and perhaps a loveseat, two tiny wing chairs, several under-scaled tables, miniature lamps, a small upright piano, and some very dated art pieces - possibly chosen by someone's aging auntie. Ugh! And the homeowners are frustrated that no one is using the space... go figure!!

First of all, consider how many people you would ever realistically envision sitting in this room at the same time. This is not the early 20th century, when many friends might gather for afternoon tea. If you have a room perhaps 12 x 15, you're only putting 4-6 people in there before it feels like a sardine can... So what on earth do you need all those pieces for?

Next, figure out what you want to DO in your small space, and get only as many pieces as absolutely necessary. Want to be able to cozy up with a book while husband watches the game or your teenagers evict you from the family room? Get a comfy sofa that's deep enough to curl up in or stretch out on (maybe even nap!), and a great club chair with an ottoman. Anchor them with a 6x9 or 8x10 area rug, get a coffee table that's big enough that you don't have to stretch tooooo far to set your coffee down, one or two good-size end tables and lamps, and voila! C'est finis!

Amazingly, whether it's a living room or any other room of your home, when you purchase pieces that are comfortable, rather than thinking "small small small small small," it's quite likely you will actually find yourself using the square footage you paid for, and the room will look far more attractive and inviting to boot.

Are there limits to what is acceptable? Of course. In the living room of our example, I probably do not want to encounter a pit sectional and wall-unit entertainment center. Use some rational judgment, but don't fear pieces that have some size to them!


Interior Decorating - How to Choose Furniture For Small Spaces

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Thursday, November 17, 2011

Should I Buy a Digital Piano or an Upright Piano?

!±8± Should I Buy a Digital Piano or an Upright Piano?

Should I Buy a Digital Piano or an Upright Piano?

Digital pianos sound nothing like a real piano. Upright pianos take up too much room.
There is a lot of conflicting advice floating around.
I will give you the right piano buying advice so you can make your own decision on whether
the digital piano or the upright piano is right for your needs.

A brief history of the digital piano.

Digital pianos were invented about 20 years ago and when they where first introduced they were pretty terrible, the keys were much too light, spongy and nothing like a real piano. The sound was incredibly bright and the sampling was quite dreadful. You couldn't really say that it sounded much like a piano at all.
These digital pianos also looked nothing like a real acoustic piano, they had ugly, plastic lookin cases that didn't match any type of furniture in the room. If guests came around it was almost an embarrassment to have this ugly plastic looking machine in the living room. My how things have changed over the last 20 years!

A brief history of the upright piano.

The upright piano was invented in 1709 by the Italian Cristofori. It was a four octave instrument compared to the seven and a quarter octave instrument of today, with hammers striking the strings just as they do on a modern upright piano. The instrument was invented to meet the need to control dynamics by touch, which could not be achieved on the harpsichord.
The early upright piano went through many changes before it emerged as the instrument we all know today. The Cristofori piano was wing shaped like grand pianos, it had a curved body and a lid that could be elevated. There were also square pianos in which the strings ran from left to right as on the clavichord. And by 1800, there were upright pianos whose strings ran perpendicular to the keyboard. Other names commonly used are: vertical piano or acoustic piano, they mean essentially the same thing.
A typical old fashioned upright piano, tall upright standing, ivory keys, beautiful wood, moulded carvings, stylish legs and brass candlestick holders. The old pianos always had a beautiful warm tone because they were made with quality materials and real wood. The soundboard was seasoned for ages which in turn created a resonant and sustaining tone. The superior quality meant that your piano would easily last a lifetime.

Moving on to modern times

These days your typical starter piano is mass produced in China, Indonesia or Korea with very cheap materials, soundboards made out of trees that were probably knocked down the day before and thrown together as quickly as possible to get distributed around the world.
Well maybe it is not quite as bad as this, but anyway i am sure you get my point.

You can find a list of upright pianos here:
http://www.soundsmusical.com/list_categories.asp?in=Piano/Keyboard>upright pianos for sale

ADVANTAGES & DISADVANTAGES OF ACOUSTIC AND DIGITAL PIANOS

Advantages of Digital Pianos:

1) You can plug in headphones so nobody can hear you play.

2) You can turn the volume up or down.

3) You can record your music on the instrument itself, or to disc, smart media, floppy etc.

4) You can experiment with lots of different instrument sounds

5) Due to their light weight, digital pianos can easily be moved from room to room

6) Your digital piano will never need tuning or maintenance, which will save you a small fortune.

7) You can download songs from the web and play them on your instrument. (Normally the more expensive digital pianos offer this facility).

8) Digital pianos are very reasonably priced for what they are. You can pick one up from as little as £400.

9) Digital pianos take up less space than the acoustic piano. They are slightly shorter in length, much lower in height and most importantly about 2/3rds the depth (front to back) of an acoustic piano, thus saving you valuable space

Disadvantages of Digital Pianos:

1) The value of your piano depreciates very quickly.

2) New models are introduced every 2-3 years making your piano even less valuable and harder to sell

3) The sound is electronic and although improvements have been made, it will never sound like the real thing.

4) The touch is slighter lighter than a real piano and the key balance isn't perfect.

5) The digital piano's appearance is not as appealing as an acoustic piano and is made from plastic and chipboard. It can easily get damaged if moved around.

6) The outer casing is difficult and expensive to repair if damage has been done

7) Digital pianos are very expensive to repair if anything goes wrong with the mechanics or electronics

9) The warranty is normally quite short, anything form 1 year to 3 years.

Advantages of Upright Pianos

1) Your piano will hold its value over time and if it is looked after it will normally increase over a longer period (normally 20 years plus)

2) The piano has natural acoustic sounds which is produced by the hammer striking the string and then amplified by the soundboard.

3) The piano is made from wood, sometimes MDF and is very strong.

4) If the piano's outer casing is damaged it can be repaired easily and fairly cheaply by a French polisher.

5) If there is a problem with the piano mechanically, it can normally be fixed by a piano tuner very quickly and cheaply. (With the exception of old pianos that normally need a lot of work).

6) The touch of a real piano is second to none. The deep, rich natural tones enable you to really enjoy playing music.

7) You normally get a long warranty with acoustic pianos, anywhere from 5-10 years.

Disadvantages of Upright Pianos

1) The upright piano is extremely heavy (can weigh 175kg upwards) and is almost impossible to maneuver without the help of professional piano movers

2) The volume of the piano cannot be turned up or down, it is reliant on the player to control this.

3) The piano needs tuning regularly (normally twice a year) and can cost in the region of £40-£60 a time.

4) The piano will need the occasional maintenance (every 5-10 years)

5) A good, well made piano can be quite expensive (Usually £2500 upwards)

6) Upright pianos take up a lot of room, especially the grands and the taller uprights.

7) They can mark your floor if you try to move them even the slightest bit and because of the immense weight, the wheels or feet leave deep indentations in your floor over a period of time

I hope this article has helped you in your piano buying quest.


Should I Buy a Digital Piano or an Upright Piano?

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Monday, November 14, 2011

Yamaha YDP181 Electronic Piano with Bench ,Rosewood

!±8± Yamaha YDP181 Electronic Piano with Bench ,Rosewood


Rate : | Price : $1,799.99 | Post Date : Nov 14, 2011 08:19:19
Usually ships in 24 hours

Perfect for more demanding students and experienced players alike, the ARIUS YDP181 provides a true piano experience. The Graded Hammer keyboard makes it a true joy to play, both in practice and in performance. Dual Voice capability lets you play two different instrument sounds at the same time, while a 3-track song recorder allows you to capture your original musical ideas and performances

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